LUNA CLARA E APOLO ONZE PDF

Como pode se perceber, meus blogposts recentes foram sobre a falta de água e o livro Luna Clara & Apolo Onze. Isso é um glossário para os. The Architectonics of Luna Clara e Apolo Onze: a Metalinguistic Reflection how, from the foundations of dialogical discourse analysis, and from a preliminary. Tudo se passa na Região de Desatino. Esta é a história de Luna Clara e Apolo Onze, mas é também a história de Doravante e Aventura, de Leuconíquio e.

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This operation is what is called here the methodological path. We recognized that Luna Clara e ApoloOnze brings out a multitude of unique voices, which find resonance in the afore mentioned heteroglossia: How to cite this article.

These three questions guided the analytic work: This choice was made due to the fact the Luna Clara e Apolo Onze was written by a woman, even though the words “writer” and “author” could refer to both female and male genders. Throughout the process of perceiving these elements, which have become methodological landmarks, one integrated, by considering their axiological tone, the content to the representation of the heroes in the story, the materialdue to its linguistic transcending ability, to dialogue with the reader and the characters of the narrative, and the formdue to its peculiar interlocutory mode, to the relationship among these characters in the novel.

Notes and Verb Usage The material is a relevant factor for having contact with the reader. Realmente, Doravante foi um sujeito muito sortudo. Among the several research possibilities that the novel allows, it seemed pertinent to highlight the uniqueness of the embodiment of the author’s enunciative project, in which she is able to realize architectonically a multiplicity of voices with clsra potential for dialogical interaction in the peculiar world of Brazilian juvenileliterature.

Hannah’s Blog: Glossário Luna Clara

Signature is also being inserted in the otherness relation: We considered important to investigate what these elements could say about the enunciative project. O que estava presente desde a origem.

Luna Clara e Apolo Onzeas the research showed, is an aesthetic object that reveals what might be called an “architectonic signature” arising from the peculiar position of the author: The duty of thinking and the impossibility of not thinking are given by my position in a given context of concrete real life.

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Thus, we do not intend to present a lengthy discussion about the concept of architectonics nor to present the analysis or its steps, but to evaluatively describewithin the dialogical view of language, how the researcher ended up building a methodological approach to account for its specific object, having, as its foundation, the notion of architectonics.

Even in this case they are an authorial alter apklo.

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This aspect underscores what Bakhtin announces about the speaking person in the novel. Thus, the methodological approach described, which sought to facilitate the act of providing a proof of the multiplicity of voices and the form of dialogism involved, set up a possibility among many other possible ways to experiment. In the case of Luna Clara luns Apolo Onzethere is a work that never ends.

Claara the front cover Luna Clarais illustrated whereasin the back one there is the illustration of Apolo Onze, which, if viewed from the same angle of the cover, is oppositely facing Luna Clara: Obviously, everything that was theoretically founded regarding the antagonistic relationships between the characters arevalid in regard to the dissonancehere presented.

Finally, the third aims to investigate the mode of organization of the relationships between the characters and the narrative space. In this research, we somewhat followed the same movement.

The Architectonics of Luna Clara e Apolo Onze: a Metalinguistic Reflection

Conveniently, Faraco highlights, as a curiosity, that “the aesthetic category ‘polyphony’ completely disappears from Bakhtin’s discourse [ In a way, there is a perceived distinction even among the voices that relate directly to the plot. Mercado das Letras,p. The process described, both in terms of how the researcher started appropriating Bakhtin Circle’s proposals and how the organizing elements which were used in this analysis were born out of the contact with the characteristics of the object under study, from appropriate theoretical postulates, is an illustration that the Bakhtinian Circle method does not consist in applying theories, or categories, to phenomena, but in approaching phenomena by means of a given theoretical concept cf.

In the aesthetic discourse, the compositional form creates an external object, and the architectonic one forms an aesthetic object. We notice, thus, how the form is linked to the content. This initial perception found a way to exist officially in Problems of Dostoevsky’s Poeticswhich became the main theoretical ally for our study, prompting the hypothesis of a polyphonic phenomenon in Luna Clara e Apolo Onze.

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That happened a long time ago.

Giancarlo’s Old Blog: Glossário Luna Clara & Apolo Onze

It is in the fragmentation itself, then, that the reiteration as a dialectical-dialogical strategyis implicated, perhaps as an author’s discursive mark, because the impression is that she, throughout the narrative, “moves through repetition” AMORIM,p. No one else can w in charge of my position and fulfill it, and that is why there is no alibi for me not to think and not to be in charge for what I think.

If on the one hand this presence of voices already seemed an axiom, clata by the large number of characters, on the other hand it suggested something else happening among these voices: The fragmentation of the chapters in Luna Clara e ApoloOnze is a compositional feature which the author uses recurrently and creatively to attract the readers. Thus, there is a visible degree of Dostoevsky’s simultaneity principle in the composition of the book, specifically in the division of chapters.

This article has a meta-analytical character, aiming to reflect on the work of analysis, that is, the apoolo of the researcher for developing luha analytical framework based on the theoretical principles and on the contact with the object. We are also lunz of the Baktinian distinction between “author-person” and “author-creator”.

Letras de HojePorto Alegre, v. The book under analysis is a phenomenon of the world, and its study requires first of all that it is turned into an object.

As Luna Clara e Apolo Onze was published ina summary of its plot was annexed to the afore mentioned thesis in order to allow the reader to understand what it was about. Here it is essential or sufficient to establish a dialogue so that we could simultaneously make this experience of reading and writing a unique “tool to see and show the world” BRAIT,p.